Whitesnake: Made In Japan
Whitesnake
Made In Japan
(Cynjas LLC)
Recorded in Tokyo in 2011 at the Loud Park Festival, we get a blistering Whitesnake band. There’s Michael Devin on bass, Doug Aldrich and Reb Beach celebrating 10 years here with the snake-on guitar, blistering duo leads, Brian Tichy on drums and guest keyboardist Brian Ruedy behind vocalist/frontman David Coverdale on the 12 songs of the first of the two-disc set, Made In Japan.
The opening thick chuck of âBest Yearsâ starts the proceedings off great. âLove Ainât No Strangerâ sees the crowd singing back with Coverdale and âIs This Loveâ is dead-on perfect with the band rolling along behind Cloverdale (and providing very specific-and needed-backing vocals).
Great slide opens âSteal Your Heart Away,â but Iâm afraid this is one that showcases just what Coverdale’s voice wasnât at the time. (The blonde rock god suffered a much publicized vocal injury in 2009 that he supposedly recovered from, but Iâm sorry to say the injury, more than the recovery, is evident here.) Beach and Aldrich are great, but D.C.âs not up for this one, prompting the audience to sing a lot with him and provide some cringe-worthy moments in the slower bridge.
âForevermore,â from the bandâs 2011 album of the same name, though is a great middle showcase piece. Coverdale actually has great vocals here (he even manages some great screams) and though acoustic and electric are featured from the great ax men, for me itâs the double bass work of Tichy, Michael Devinâs fat running bass and Ruedyâs heavy-handed synth strings that make this one a real showstopper.
Disc two though is pretty cool. Thereâs a staccato-crazy âLove Will Set You Free,â on which the drums are kicking and Coverdale sounds just as good as ever, not that it’s a great song, but itâs fun with the falsetto. Thereâs signature slick slide work in âSteal Your Heart Awayâ a great swampy metal tune and then there are the acoustic versions of âFare Thee Well,â a nice thick vocal blues/good chorus number and âOne Of These Daysâ that sound really good. âEvil Waysâ is about as crazy as things get here and again with Coverdale surprising with a great vocal performance.
So the live stuff is a little rough in regard to Coverdale’s singing but this studio stuff sounds wonderful, Go figure?