Billy Idol: Kings & Queens Of the Underground
Billy Idol
Kings & Queens of the Underground
(BFI Records)
Featuring a rolling tom and jangly guitar, the big commercial track âBitter Pillâ opens Billy Idolâs new and seventh album, Kings & Queens Of The Underground. From the outset here it is evident Billy is in as good a voice as he has ever been, growling around long-time partner Steve Stevensâ slight guitar slashes and the higher-end of his range during this songâs chorus. âCanât Break Me Downâ is a big, crowd-chanting rocker, with bass laying down the meat in the verses and in the popping high-end, in-your-face, super-commercial chorus.
Itâs no surprise that âPostcards From the Past,â a guitar and synth-heavy, bleating mover works best for me, as it is a tune Idol and Stevens wrote together. It offers full musical nods back to Idolâs famous catalog with whole riffs and sonic motifs (even Idolâs vocals) deliberately hinting at some past hits of his. Stevens’ lead here is killer as well, maybe the best on the whole record.
Flute, acoustic guitar and Idolâs softer vocal attack tell the story of Idolâs career from punk to here on the title track. Lyrically, it might be a bit overdone, but overall it is a pretty solid, self-aware, big ballad. âLove And Gloryâ is a power ballad featuring a strong, controlled Idol vocal and lots of Stevens’ stuff with some U2-like dram,a single-note riffery during the lead. When the chorus kicks in, Idol lets loose with his best vocal here I feel. âWhisky And Pillsâ presents beating, fast bass, Stevens’ riffing and a wry lyrics to end this respectable 11-song set of new Billy Idol tunes.